La Cenerentola, based on Cinderella, opens this weekend at San Jose Opera. Loni takes you behind the scenes.

Opera San Jose
La Cenerentola (Cinderella)
(Nov. 14, 15, 19, 21
22, 24, 27, 29, 2009)
< www.operasj.org

What happens when you take the “bippity-boppity-boo” out of Cinderella? You get something even more magical – Rossini’s enchanting La Cenerentola. This isn’t Rodgers and Hammerstein or Walt Disney – no singing mice, fairy godmother, or glass slippers. There is a charming prince, however, as well as obnoxious stepsisters, a stupid stepfather and a matching pair of diamond bracelets. And everything ends happily in a blaze of glorious coloratura,

The Cinderella in this opera is named Angelina, and she is as kind and gentle and forgiving as her name implies. And because this is a Rossini opera, Angelina and the rest of the cast also possess everlasting energy and exceptional vocal ability. The music is fast, fast, fast, and the action is at full throttle. Practically everyone is in disguise most of the time, all the deception is hilarious, and the patter is never-ending. This is comedy in the fast lane, with dazzling music and vocal pyrotechnics. The Barber of Seville might have made Rossini famous, but it was La Cenerentola that cemented his reputation and made his comic style the world’s favorite.

Clinton Stark
Co-Founder, Editor-in-Chief, Fan of Napa (and Diet Coke)

Clint co-founded StarkSilverCreek and writes about social media, arts, wine, indie film, and his trusty Droid. An aging ice hockey player, he tries in vain to direct Loni in SSC videos. Originally from Ottawa, Canada, Clint is a Silicon Valley and new media entrepreneur. From the early PC clone days in the 80’s, to the explosion of telecom and networking in the 90’s, and now to social networking, Web 2.0 and software-as-a-service, Clint has successfully built businesses and start-ups into multi-million dollar operations. Recently as VP marketing he spearheaded the launch of a $110M company.

Twitter: @clintonstark More: articles bio

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