Theater review: ‘Spring Awakening’ delivers Broadway hit to San Jose in style
Broadway San Jose (San Jose Center for the Performing Arts)
Directed by Michael Mayer
Music by Duncan Sheik
Book & Lyrics by Steven Sater
On the Web: www.broadwaysanjose.com
The cast of the National Tour of SPRING AWAKENING at Broadway San Jose. Photo credit: Paul Kolnik
The new, provocative, and highly successful (8 Tony Awards) Broadway hit, Spring Awakening, opened last night downtown San Jose and proved why it has garnered so much love and attention. The reinvention of the musical genre owes a debt of gratitude to this production.
Directed by Michael Mayer, who also superbly guided the soul mate American Idiot in Berkeley, doles out modern sensibilities along with a healthy dose of teenage hormones. It makes for an entertaining fusion of rock, dance and… some personal pleasures too. It’s a rocking purple summer.
Set in late nineteenth century Germany, the costumes alone would tell you we’re not exactly in Oklahoma. Achtung! The musical opens with Wendla (Christy Altomare) learning about the birds and the bees from her Mother. The scene is a crisp and smartly acted opener. Later we meet some of the boys, including reclusive, “Don’t Do Sadness” erotic dreamer Moritz (Taylor Trensch), and thoughtful, though tragedy afflicted lover and atheist, Melchior (Jake Epstein).
“All that is weak must be hammered away.”
The repressive German society together with strict parents and teachers create a ticking time bomb of rage and angst.
When the teenager’s become disenfranchised during the boiling ”The Guilty Ones,” they finally stand up for their beliefs in what becomes a first step towards adulthood and discovery.
“Why am I haunted by the legs of a woman?”
Christy Altomare and Jake Epstein in the national tour of SPRING AWAKENING at Broadway San Jose. Photo credit: Joan Marcus
All the coming of age elements are here: shame, guilt, longing, lust, confusion And, of course, rebellion.
But what makes Spring Awakening so good, is how it all comes together so well. The music blends in with the story, carrying our emotions along for a rocking (and occasionally, joyfully loud) ride. In between the exciting drum and guitar work, though, there is character depth, and meaning behind actions. We feel and relate to their circumstances. Better yet, we are drawn to Melchior’s intelligent perspective, documented in his journal, that prevents the following events from becoming standard melodrama.
One of my favorite numbers involves a curious, seemingly Madonna-inspired dance. It’s like Vogue in a straight jacket.
The set design is effective, with some on-stage bleacher-style seating to either side for those lucky enough to score the limited tickets. Lighting is a stand out. Lots of colors. Sweeping greens, then blue and yellow neon. Warm rings of light let way to stripped down, single spots to accent poignant scenes.
If I have one criticism it would be the uneven vocal performances. At times, I wish some performers could hit those challenging notes the songs often called for. Still, it was hard not to be electrified for most of the numbers (still, it’s hard to top the brilliance of Green Day’s scorching music in American Idiot for those keeping score).
A note of optimism runs through both acts, and we never feel the teenagers are driven by hate. Rather they are seeking their place in the world, which may mean leading themselves the changes they so desperately want. Laughs along the way ensure the journey is not a somber downer.
Taylor Trensch in the SPRING AWAKENING national tour playing at Broadway San Jose. Photo credit: Paul Kolnik
Fair warning, this is adult fare: hardcore, the way it should be. The truth rings through. As does simulated sex, partial nudity, and gleeful, catchy F-bomb filled ensemble numbers.
Spring Awakening is another Broadway gift to San Jose. Enjoy it as soon as possible (it’s only here for five days; 6 performances remain after this afternoon’s) and thank the lucky stars (or Dutch company Nederlander) we get to experience something so entertainingly fresh and vibrant. Colorful memories of high school years gone by is just icing on the Kuchen.
Spring Awakening
Broadway San Jose
Directed by Michael Mayer
Starring Christy Altomare, Angela Reed, Sarah Hunt, Steffi D, Gabrielle Garza, Kimiko Glenn, John Wojda, Anthony Lee Medina, Andy Mientus, Ben Fankhauser, Matt Shingledecker, Taylor Trensch, Jake Epstein
October 28 – November 1, 2009
San Jose Center for the Performing Arts
Noteworthy
- Taylor Trensch’s hair transforms through the show: from A Flock of Seagulls / Howard Jones / Robert Smith of the Cure-inspired cobweb, to a Chia-Pet shaved mohawk.
- Lucky, early ticket buyers can grab seats on stage, even sitting next to performers
- You may learn new terms for female anatomy!
- Hidden microphones: the next fashion trend? Feeling some inner angst? Here, grab this mike. Rock out!
- You can’t beat the calamari at Scott’s Seafood.
- Chocolate covered pretzels: sounds unusual… but quickly becomes a must have when you see others devouring them.
- Unusual concession food: vegetable maki.
Clinton StarkCo-Founder, Editor-in-Chief, Fan of Napa (and Diet Coke)
Clint co-founded StarkSilverCreek and writes about social media, arts, wine, indie film, and his trusty Droid. An aging ice hockey player, he tries in vain to direct Loni in SSC videos. Originally from Ottawa, Canada, Clint is a Silicon Valley and new media entrepreneur. From the early PC clone days in the 80’s, to the explosion of telecom and networking in the 90’s, and now to social networking, Web 2.0 and software-as-a-service, Clint has successfully built businesses and start-ups into multi-million dollar operations. Recently as VP marketing he spearheaded the launch of a $110M company. But that was then.
Twitter: @clintonstark More: articles bio
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Spring Awakening….The only redeeming aspect of the current San Jose production is the seamless scene transitions in act one. Everything else is not worth an iota of time or expense. We, along with mmany others, did not stay for act two. The new management group for San Jose should be ashamed to offer such a poor quality production under the guise of "theater".
you should have stayed..it is your loss…..another uptight narrow-minded person?? the music is haunting..and the cast is superb…..most of which were in SF last year….and the best song Totally fucked…..you missed.